Participant notes from Clown Congress 2025 Session proposed and documented by Clare Parry-Jones I proposed a session on Clown and Grief following recent conversations I’d had with Robyn Hambrook, reflecting upon the future direction of my clown teaching, my performances and research over the years. My own experiences of loss and grief were sometimes helped by my state of clown: being able to see the ridiculous amidst the trauma, laughing, crying, being able to momentarily step out of the depths and view the situation. This led to the creation of a non-verbal clown performance which I have toured internationally, always with a Q&A afterwards, which gives space for discussion, curiosity and cultural exchange. I am interested in ancient rites and sacred sites of our ancestors, particularly the mesolithic and neolithic in the northern hemisphere. I have had the pleasure of making contemporary creative interventions at some of these sites, collaborating with nature, landscape and community, honouring our ancestors and reflecting upon our own state of (in)humanity. I was curious to see what would emerge within this session, from individuals and the group as a whole and what their needs and desires would be. It was immediately clear that space was needed for quiet reflection, embodiment, talking, sharing, listening and witnessing, so we made space for these. Key themes that arose: Connecting with grief, through clown What is grief? Clowning as a framework for the stages of grief Rituals, process, transformation Being in a supportive community vs current isolation of our grief processes Cultural lessons from around the world related to loss Collaboration with, and support from nature Accessing our own vulnerability through body and voice Is it too much for the audience, or for ourselves? How can you clown about …. ? Support, laugh, release, strength As a result of facilitating this session, I propose that I design and hold workshops on Clown and Grief, providing a safe space for exploration and transformation. A few Grief Resources:
Good Grief Festival - Weston super Mare https://www.goodgrieffest.com Staging Loss: performance as Commemoration (Palgrave Macmillan) https://link.springer.com/book/10.1007/978-3-319-97970-0 Llif - short film by Clare Parry-Jones https://youtu.be/NlSwvxKM8as?si=flCD-FjbP23ovei7 (*themes of child loss ) Francis Weller - The Wild Edge of Sorrow https://www.francisweller.net/books.html Comments are closed.
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AuthorCreative research into the meeting point of clowning and activism Archives
May 2025
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ABOUT ROBYN
Robyn is a Bristol-based director, teacher and performer. With over 20 years experience she is a passionate practitioner of clowning, physical theatre, circus and street arts. She has a MA in Circus Directing, a Diploma of Physical Theatre Practice and trained with a long line of inspiring teachers including Holly Stoppit, Peta Lily, Giovanni Fusetti, Bim Mason, Jon Davison, Zuma Puma, Lucy Hopkins and John Wright.
Over the past five years she has been exploring the meeting point of clowning and a deep desire to address the injustices in the world. This specialism has developed through her Masters Research ‘Small Circus Acts of Resistance’, on the streets and in protests with the Bristol Rebel Clowns and in research residencies with The Trickster Laboratory. Robyn’s Activist Clown research has led to collaborations with Jay Jordan (Laboratory of Insurrectionary Imagination, France), Clown Me In (Beirut), LM Bogad (US), Hilary Ramsden (Greece) and international Tricksters; ‘The Yes Men’ (US). During the pandemic in 2020, Robyn set up The Online Clown Academy with Holly Stoppit and developed a series of Zoom Clown Courses. Robyn’s research, started during her Masters, has been exploring the meeting point of clowning and activism, online, in the real world and with international collaborators. With this drive to explore political edges of her work she has also dived back into the world of the Bouffon; training with Jaime Mears, Bim Mason, Nathaniel Justiniano, Eric Davis, Tim Licata, Al Seed and the grand master Bouffon-himself; Philippe Gaulier. Keen to explore the intersection of clowning and politics, Robyn is driven to create collaborative, research spaces, testing and pushing the limits of the artform to create new knowledge and methodologies for her industry and strengthen partnerships for future work. Some of her most recent collaborations and teaching projects have included the Nomadic Rebel Clown Academy (5-day Activist Clown Training), The Laboratory of the Un-beautiful (Feminist Grotesque Bouffon Training for Womxn Theatre Makers) and the Clown Congress (annual gathering of clowns, activists & academics collectively exploring what it means to be a clown in this current era) |