ROBYN HAMBROOK
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  • COURSES
    • Comedy Summer School
    • Clown Soup
  • PROJECTS
    • Clown Congress
    • Clown Congress Catering Manager
    • Nomadic Rebel Clown Academy
    • Sealine Confidential
    • The Trickster Laboratory
    • Sexual Health Circus
    • Street Art Porfolio
    • Rebel Clowns
    • Canary
    • Arthur's Odyssey
    • The Vampire Rabbit
    • Interactive Theatre
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    • The Online Clown Academy
  • Training
  • Clowning & Activism Blog
    • Tools of the Activist Clown
ROBYN HAMBROOK

Sammy & Suzy’s Play Session

12/5/2025

 
Participant notes from Clown Congress 2025
Session proposed and documented by Suzy Harvey


We proposed the session in the Seminar Room, but the three year old had other plans, so we put a note on the door saying that the session would be happening wherever the three year old happened to be. 
The three year old was blissfully unaware that he had proposed a session.

He enjoyed animating a long bogey type worm across the sofas while a clown animated the turtle trying to eat it. They laughed. This clown said she had been wanting to be around children of this age for a while and wants to do more work like this. 

He also enjoyed squeezing a stress ball and catching bubbles blown by another clown.
A few other clowns popped in here and there and had little chats with him, which he loved and appreciated.
5-6 adult clowns  played a few games from a book called “40 games for Frivolous People”

https://www.abebooks.co.uk/9780713618983/Forty-Games-Frivolous-People-Wilson-0713618981/plp


We particularly enjoyed “Do You Know Mr Green”,
We played it several times and the three year old really enjoyed leading the end of the game.
We got caught in a 3 year old/clown “shall we do that again?” loop.

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We also enjoyed “This is a Ding”.

Participants were reluctant at first, because the instructions are confusing, but once another clown put some Drum and Bass music on to accompany it, everyone seemed to enjoy it a lot more. The point of the game is to be confused, but I’m not sure if people were laughing because it’s a good game, because it’s equally possible they were laughing because it’s a dreadful game.

The three year old also really enjoyed watching the street clowns head out on their mission and then return.

Several people asked where he got his leggings from. They’re from here:
https://eddieandbee.co.uk/collections/adult-organic-cotton-leggings


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ABOUT ROBYN

Robyn is a Bristol-based director, teacher and performer. With over 20 years experience she is a passionate practitioner of clowning, physical theatre, circus and street arts. She has a MA in Circus Directing, a Diploma of Physical Theatre Practice and trained with a long line of inspiring teachers including Holly Stoppit, Peta Lily, Giovanni Fusetti, Bim Mason, Jon Davison, Zuma Puma, Lucy Hopkins and John Wright.
Over the past five years she has been exploring the meeting point of clowning and a deep desire to address the injustices in the world. This specialism has developed through her Masters Research ‘Small Circus Acts of Resistance’, on the streets and in protests with the Bristol Rebel Clowns and in research residencies with The Trickster Laboratory.
Robyn’s Activist Clown research has led to collaborations with Jay Jordan (Laboratory of Insurrectionary Imagination, France), Clown Me In (Beirut), LM Bogad (US), Hilary Ramsden (Greece) and international Tricksters; ‘The Yes Men’ (US).
During the pandemic in 2020, Robyn set up The Online Clown Academy with Holly Stoppit and developed a series of Zoom Clown Courses. Robyn’s research, started during her Masters, has been exploring the meeting point of clowning and activism, online, in the real world and with international collaborators. With this drive to explore political edges of her work she has also dived back into the world of the Bouffon; training with Jaime Mears, Bim Mason, Nathaniel Justiniano, Eric Davis, Tim Licata, Al Seed and the grand master Bouffon-himself; Philippe Gaulier.
Keen to explore the intersection of clowning and politics, Robyn is driven to create collaborative, research spaces, testing and pushing the limits of the artform to create new knowledge and methodologies for her industry and strengthen partnerships for future work. Some of her most recent collaborations and teaching projects have included the Nomadic Rebel Clown Academy (5-day Activist Clown Training), The Laboratory of the Un-beautiful (Feminist Grotesque Bouffon Training for Womxn Theatre Makers) and the Clown Congress (annual gathering of clowns, activists & academics collectively exploring what it means to be a clown in this current era)
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Photo by HeardinLondon Photography