This week, people across the UK joined anti-fascist rallies to push back against a surge in far-right activity following riots in Southport. Communities across the country gathered to stand up and make it clear that hate and extremism have no place in their communities. Bristol was no different. On Wednesday 7 August, thousands gathered in outside in Old Market in response to the threat that far right groups would be targeting an immigration law firm on the street. Despite fears of violence and riot, a few of my clown community felt it was important to brings the clowns to streets. We wanted to stand up against fascists but we also wanted to use the tools, tactics and possibilities of the activist clown. Humour and clowning has a history of being powerful tools in the fight against fascism and white supremacy. An example in Whitefish, Montana; a neo-Nazi rally was planned but fell apart due to poor organisation, the local community responded not with anger or fear, but with humour. Instead of bracing for conflict, they turned the day into a celebration, donning blue wigs and waving signs like "Trolls Against Trolls." Their playful approach didn't just defuse tension—it turned the tables on the hate groups, sending a clear message that their toxic ideology couldn't find a foothold in a community that meets hate with laughter. The “Loldiers of Odin” started in Finland as a playful response to the Soldiers of Odin, a rascist citizen patrol group. They hit the streets the same nights as the patrols, dancing around with hoops, a hobby horse, and even playing in the snow to mock the idea that these patrols were making the streets "safer" by targeting immigrants, using humour to challenge their right-wing message. One of the key reasons humour is so effective in these situations is its ability to expose the absurdity of extremist ideologies. Historically, humour has been a sharp weapon against fascism because it highlights just how ridiculous these hate-filled beliefs really are. When clowns show up at neo-Nazi rallies and start mimicking their chants, they don't just entertain—they undermine the seriousness of the hate group's message. By turning their slogans into jokes, these activists make it impossible for white supremacists to maintain the intimidating image they crave. Humour also has a unique way of bringing people together. Unlike more confrontational protests, which can be intimidating, humorous actions invite participation from a broader range of people. This inclusivity transforms resistance into something joyful and communal. Whether it's turning a neo-Nazi march into a fundraiser for anti-racist causes or having clowns mock supremacist chants, these creative acts of defiance foster a sense of unity and solidarity. By making resistance fun and accessible, humour helps build stronger communities that are more resilient against hate. Inspired by these examples and our recent work with Az-oolay, five of us dressed as clowns to attend the rally. We wanted to be in service to the space and also to mock and diminish the power of the fascist messages of 'white power' and 'stop the boats'. We brandished placards that said 'Stop the Goats' 🐐 , 'White Powder' and 'Wife Power'. We stepped onto the packed street. But there wasn’t a fascist in sight, just Bristol’s incredible, diverse community. So we meandered through the crowd, handing out stickers, blowing bubbles and bringing smiles to faces with our placards. It was a powerful way to be present. As clowns we were able to meet and talk to people, connecting through humour and our shared defiance to be divided by violence and racism. It’s a long road to healing these deep wounds in our society, but the clown is offering me a powerful tool to be with it all. Photo credits: Ian Irwin, Isadora and Hester Welch
Reference: https://www.opendemocracy.net/en/transformation/why-are-nazis-so-afraid-of-clowns/ Comments are closed.
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AuthorCreative research into the meeting point of clowning and activism Archives
August 2024
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ABOUT ROBYN
Robyn is a Bristol-based director, teacher and performer. With over 20 years experience she is a passionate practitioner of clowning, physical theatre, circus and street arts. She has a MA in Circus Directing, a Diploma of Physical Theatre Practice and trained with a long line of inspiring teachers including Holly Stoppit, Peta Lily, Giovanni Fusetti, Bim Mason, Jon Davison, Zuma Puma, Lucy Hopkins and John Wright.
Over the past five years she has been exploring the meeting point of clowning and a deep desire to address the injustices in the world. This specialism has developed through her Masters Research ‘Small Circus Acts of Resistance’, on the streets and in protests with the Bristol Rebel Clowns and in research residencies with The Trickster Laboratory. Robyn’s Activist Clown research has led to collaborations with Jay Jordan (Laboratory of Insurrectionary Imagination, France), Clown Me In (Beirut), LM Bogad (US), Hilary Ramsden (Greece) and international Tricksters; ‘The Yes Men’ (US). During the pandemic in 2020, Robyn set up The Online Clown Academy with Holly Stoppit and developed a series of Zoom Clown Courses. Robyn’s research, started during her Masters, has been exploring the meeting point of clowning and activism, online, in the real world and with international collaborators. With this drive to explore political edges of her work she has also dived back into the world of the Bouffon; training with Jaime Mears, Bim Mason, Nathaniel Justiniano, Eric Davis, Tim Licata, Al Seed and the grand master Bouffon-himself; Philippe Gaulier. Keen to explore the intersection of clowning and politics, Robyn is driven to create collaborative, research spaces, testing and pushing the limits of the artform to create new knowledge and methodologies for her industry and strengthen partnerships for future work. Some of her most recent collaborations and teaching projects have included the Nomadic Rebel Clown Academy (5-day Activist Clown Training), The Laboratory of the Un-beautiful (Feminist Grotesque Bouffon Training for Womxn Theatre Makers) and the Clown Congress (annual gathering of clowns, activists & academics collectively exploring what it means to be a clown in this current era) |