Arthur's Odyssey
A department store becomes the backdrop for an epic adventure and race against the clock for Arthur. Based on the Odyssey and merging spectacular circus skills, puppetry, physical theatre, music and theatrical storytelling, Arthur’s Odyssey brings together the North East’s most exciting circus talent. A newly created circus spectacular for the whole family, created in association with Newcastle’s Circus Central and inspired by archival research into our North East circus history. |
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Arthur’s Odyssey is a newly devised piece of contemporary circus theatre which premiered in Arthur’s Hill on Friday 2 June. Directed by Robyn Hambrook, the show has being created with a group of North East emerging circus and dance artists in association with Circus Central. The show is based on Homer’s Odyssey, but with a modern twist of setting it in a department store. It merges spectacular circus skills, puppetry, physical theatre, music and theatrical storytelling. The inspiration comes from research into an iconic character in the North East circus history; Arthur Fenwick, who ran away with the circus for 6 years before returning to Newcastle to run the family department store.
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"...wonderful and charming...Arthur's Odyssey embodies the story and soul of a theatre show and the fun and frolics of a circus." Review by Dance Culture North East
Arthur’s Odyssey featured as part of a programme of circus activity presented by Circus Central in an exciting collaboration with communities in Arthur’s Hill in June. Nunsmoor Park and The Bike Garden will hosted Let's Circus's beautiful Big Top, ‘The Magpie’, during a four-day residency that included community workshops, family day workshops as well as the premier of two spectacular new circus shows. There were two more outings of the Arthur's Odyssey at Comedy Festival in Gateshead, Jesterval in July and Stockton International Riverside Festival in August.
In 2016, Robyn directed Circus Central’s The Vampire Rabbit, in collaboration with Newcastle-based composer & creative producer Kerrin Tatman – a unique, immersive performance merging circus, puppetry, storytelling, digital technology & live original music, based on the Vampire Rabbit of Newcastle, for three professional regional commissions, including JUICE Festival. With 7 sell out performances praise for the piece has was high. One reviewer wrote; “macabre and intoxicating performance…The Vampire Rabbit gave Newcastle a glimpse at the creativity and purpose of circus in modern times.”
Building on that success, Robyn received funding from Arts Council England to create Arthur’s Odyssey. The project aims to explore circus disciplines alongside physical theatre, dramaturgy and music, and in particular, how to place circus more centrally into the narrative.
Arthur’s Odyssey is developed in association with Let’s Circus and Circus Central and designed to fit ‘The Magpie’, Let’s Circus’s 270-seater circus tent. It was performed at three events in the summer of 2017; in Fenham as part of Circus in the Park, Jesterval in Gateshead and Stockton International Riverside Festival in Stockton.
In 2016, Robyn directed Circus Central’s The Vampire Rabbit, in collaboration with Newcastle-based composer & creative producer Kerrin Tatman – a unique, immersive performance merging circus, puppetry, storytelling, digital technology & live original music, based on the Vampire Rabbit of Newcastle, for three professional regional commissions, including JUICE Festival. With 7 sell out performances praise for the piece has was high. One reviewer wrote; “macabre and intoxicating performance…The Vampire Rabbit gave Newcastle a glimpse at the creativity and purpose of circus in modern times.”
Building on that success, Robyn received funding from Arts Council England to create Arthur’s Odyssey. The project aims to explore circus disciplines alongside physical theatre, dramaturgy and music, and in particular, how to place circus more centrally into the narrative.
Arthur’s Odyssey is developed in association with Let’s Circus and Circus Central and designed to fit ‘The Magpie’, Let’s Circus’s 270-seater circus tent. It was performed at three events in the summer of 2017; in Fenham as part of Circus in the Park, Jesterval in Gateshead and Stockton International Riverside Festival in Stockton.
Overall the show has had two phases of development, firstly with Circus Central’s BTEC students and then with the final cast comprising of as some of the NE’s most talented dance and circus artists. The project gave these emerging artists a more active role in devising and creating performance and provide them with professional skills transferrable to their careers.
To better understand and incorporate the skills of the performers, Robyn worked with circus specialist, Claire Harvey as choreographer to in enrich the artistic output. She is also working with artist, performer and puppeteer, Emma Brierley to realise the production design element and costumes.
This opportunity upskilled the whole creative team, preparing them the development of more ambitious projects and performance opportunities in 2018, the 250 year anniversary of circus.
To better understand and incorporate the skills of the performers, Robyn worked with circus specialist, Claire Harvey as choreographer to in enrich the artistic output. She is also working with artist, performer and puppeteer, Emma Brierley to realise the production design element and costumes.
This opportunity upskilled the whole creative team, preparing them the development of more ambitious projects and performance opportunities in 2018, the 250 year anniversary of circus.
ABOUT ROBYN
Robyn is a Bristol-based director, teacher and performer. With over 20 years experience she is a passionate practitioner of clowning, physical theatre, circus and street arts. She has a MA in Circus Directing, a Diploma of Physical Theatre Practice and trained with a long line of inspiring teachers including Holly Stoppit, Peta Lily, Giovanni Fusetti, Bim Mason, Jon Davison, Zuma Puma, Lucy Hopkins and John Wright.
Over the past five years she has been exploring the meeting point of clowning and a deep desire to address the injustices in the world. This specialism has developed through her Masters Research ‘Small Circus Acts of Resistance’, on the streets and in protests with the Bristol Rebel Clowns and in research residencies with The Trickster Laboratory. Robyn’s Activist Clown research has led to collaborations with Jay Jordan (Laboratory of Insurrectionary Imagination, France), Clown Me In (Beirut), LM Bogad (US), Hilary Ramsden (Greece) and international Tricksters; ‘The Yes Men’ (US). During the pandemic in 2020, Robyn set up The Online Clown Academy with Holly Stoppit and developed a series of Zoom Clown Courses. Robyn’s research, started during her Masters, has been exploring the meeting point of clowning and activism, online, in the real world and with international collaborators. With this drive to explore political edges of her work she has also dived back into the world of the Bouffon; training with Jaime Mears, Bim Mason, Nathaniel Justiniano, Eric Davis, Tim Licata, Al Seed and the grand master Bouffon-himself; Philippe Gaulier. Keen to explore the intersection of clowning and politics, Robyn is driven to create collaborative, research spaces, testing and pushing the limits of the artform to create new knowledge and methodologies for her industry and strengthen partnerships for future work. Some of her most recent collaborations and teaching projects have included the Nomadic Rebel Clown Academy (5-day Activist Clown Training), The Laboratory of the Un-beautiful (Feminist Grotesque Bouffon Training for Womxn Theatre Makers) and the Clown Congress (annual gathering of clowns, activists & academics collectively exploring what it means to be a clown in this current era) |