Arthur's Odyssey


A department store becomes the backdrop for an epic adventure and race against the clock for Arthur. Based on the Odyssey and merging spectacular circus skills, puppetry, physical theatre, music and theatrical storytelling, Arthur’s Odyssey brings together the North East’s most exciting circus talent. A newly created circus spectacular for the whole family, created in association with Newcastle’s Circus Central and inspired by archival research into our North East circus history.
Arthur’s Odyssey is a newly devised piece of contemporary circus theatre which premiered in Arthur’s Hill on Friday 2 June. Directed by Robyn Hambrook, the show has being created with a group of North East emerging circus and dance artists in association with Circus Central. The show is based on Homer’s Odyssey, but with a modern twist of setting it in a department store. It merges spectacular circus skills, puppetry, physical theatre, music and theatrical storytelling. The inspiration comes from research into an iconic character in the North East circus history; Arthur Fenwick, who ran away with the circus for 6 years before returning to Newcastle to run the family department store.
"...wonderful and charming...Arthur's Odyssey embodies the story and soul of a theatre show and the fun and frolics of a circus." Review by Dance Culture North East
Arthur’s Odyssey featured as part of a programme of circus activity presented by Circus Central in an exciting collaboration with communities in Arthur’s Hill in June. Nunsmoor Park and The Bike Garden will hosted Let's Circus's beautiful Big Top, ‘The Magpie’, during a four-day residency that included community workshops, family day workshops as well as the premier of two spectacular new circus shows. There were two more outings of the Arthur's Odyssey at Comedy Festival in Gateshead, Jesterval in July and Stockton International Riverside Festival in August.

In 2016, Robyn directed Circus Central’s  The Vampire Rabbit, in collaboration with Newcastle-based composer & creative producer Kerrin Tatman – a unique, immersive performance merging circus, puppetry, storytelling, digital technology & live original music, based on the Vampire Rabbit of Newcastle, for three professional regional commissions, including JUICE Festival. With 7 sell out performances praise for the piece has was high. One reviewer wrote; “macabre and intoxicating performance…The Vampire Rabbit gave Newcastle a glimpse at the creativity and purpose of circus in modern times.”

Building on that success, Robyn received funding from Arts Council England to create Arthur’s Odyssey. The project aims to explore circus disciplines alongside physical theatre, dramaturgy and music, and in particular, how to place circus more centrally into the narrative.

Arthur’s Odyssey is developed in association with Let’s Circus and Circus Central and designed to fit ‘The Magpie’, Let’s Circus’s 270-seater circus tent. It was performed at three events in the summer of 2017; in Fenham as part of Circus in the Park, Jesterval in Gateshead and Stockton International Riverside Festival in Stockton.
Overall the show has had two phases of development, firstly with Circus Central’s BTEC students and then with the final cast comprising of as some of the NE’s most talented dance and circus artists. The project gave these emerging artists a more active role in devising and creating performance and provide them with professional skills transferrable to their careers.

To better understand and incorporate the skills of the performers, Robyn worked with circus specialist, Claire Harvey as choreographer to in enrich the artistic output. She is also working with artist, performer and puppeteer, Emma Brierley to realise the production design element and costumes.

This opportunity upskilled the whole creative team, preparing them the development of more ambitious projects and performance opportunities in 2018, the 250 year anniversary of circus.
ABOUT ROBYN
Robyn is a Bristol-based director, teacher and performer. With over 20 years experience she is a passionate practitioner of clowning, physical theatre, circus and street arts. She has a MA in Circus Directing, a Diploma of Physical Theatre Practice and trained with a long line of inspiring teachers including Holly Stoppit, Peta Lily, Giovanni Fusetti, Jon Davison, Zuma Puma and Deanna Fleysha.
Robyn has collaborated with companies including Let’s Circus, The Sexual Health Circus and Whispering Wood Folk and performed with acclaimed physical theatre companies including, Derevo, Akhe, Oceanallover, and Gappad as well as her own award-winning company, Fun in the Oven Theatre.
During the pandemic in 2020, Robyn set up The Online Clown Academy with Holly Stoppit and developed a series of Zoom Clown Courses. Robyn’s research, started during her Masters, has been exploring the meeting point of clowning and activism, online, in the real world and with international collaborators. With this drive to explore political edges of her work she has also dived back into the world of the Bouffon; training with Jaime Mears, Bim Mason, Nathaniel Justiniano, Eric Davis, Tim Licata, Al Seed and the grand master Bouffon-himself; Philippe Gaulier. She has also set up the Laboratory of the Un-beautiful; a collaboration with Deborah Antoinette Bard, exploring the bouffon & grotesque with womxn theatre makers.