At festival of independent journalism I explored ideas of resistance through play. Click here to read more...

Today I met an amazing lady, Stefania Placenti, who has just completed her PhD in Italian theatre studies at Bristol. Her thesis dealt with the links between movements of protest and theatre in particular the occupation of spaces as a form of resistance, with reference to the Occupied Theatre Movements in Italy born in 2011. Her research covers a number of theatre occupations, examining the historical, socio-economic and political context in which these movements occurred.
 
An interesting section in her thesis examines the language the occupiers used to perform their protest. From this chapter I was inspired by their approach using their physical presence to resist. From being, to walking and then talking, each action begins to change the narrative of a space.
 
Our so-called public spaces are culturally defined, but by who? Is it a shared agreement? Are the public spaces in our cities actually public? It can be difficult to escape capitalist ideologies in the centre of Bristol, with advertising and shopping dominating our view and the narrative to buy more to feel better.
 
In my next workshops I plan to further explore public spaces, to examine the dominant narratives and then poke them with a stick.

Through a series of workshops at PLAY Festival I explored the ideas of resistance where there is little or no authority to oppose. Click here to read more...

I love charts and schematics. I found this in my search for definitions of political resistance in The Deep Green Resistance Book. Considering the scope and form of my research I am working in area of Education and Awareness Raising. Is it possible to move to the right along that axis towards to confronting and dismantling power without conflict?

Jumping through Hoops was a creative action depicting the 'hoops' society requires us to jump through to have access to basic rights, care and security. This was the result of revised workshop methodology that explored the meeting point of circus, street theatre and protest with circus performers and activists. Click here to read more...

A worksheet to brainstorm our acts of resistance...

In Barnaul, Russia, January 2012, cuddly toys protested the re-election of Putin and electoral fraud, taking the place of protesters who were arrested at previous demonstrations. The toys carried slogans like ‘I am for clean elections’ and ‘A thief should sit in jail, not in the Kremlin’. Authorities reckoned that the toys represented an ‘unsanctioned public event’ and their protest was banned. Police recorded slogans in their notebooks. The organiser stated that ‘We wanted to show the absurdity and farce of officials’ struggles with their own people’.

Preparation for my upcoming Bristol workshop. The audience, ie. the unsuspecting public are an important consideration when planning our action. I have compiled some of Bim Mason's notes about street theatre and audience reception to create this schematic.

In my call-out on Facebook for workshop participants for Newcastle and Bristol I have had the biggest response to this photo with over 46 shares and 85 likes. It is from a fantastically inspiring book called 'Street Spirit' by Steve Crawshaw and shows protesters at the G-8 summit in 2007. For me this image reveals the power of subversion and gentle resistance the clown can bring. It also highlights a principle from Toolbox for a Revolution about putting targets into a decision dilemma. The negative reaction from the Riot Police to the clowns could mock their authority but to leave them there does the same.

Nothing to Sea Here is the outcome of my first workshop exploring the meeting point of circus, street theatre and protest and my first exploration of a methodology to take participants from a workshop to the streets. Click here to read more...