by Hilary Ramsden Day 1 of the Clown Congress focussed on Clowns: Power, Protest and Authority. Dr. Bim Mason, (former Artistic Director of Circomedia, researcher, mask-maker and street theatre practitioner) presented perspectives on a brief history of the clown as provocateur in the forms of jester, fool and trickster, and followed this with references to contemporary provocateurs such as Leo Bassi, Sacha Baron Cohen, Banksy & Pussy Riot. He then continued with a presentation of his own most current work, Big Heads, and spoke informatively and in depth about response from and impact on audiences of this particular performance work. Maggie Irving (clown, researcher and educator) followed Bim with a lecture-demonstration of Feminist incursions into Clown practices drawing on her own work and experiences as a female clown. Dr. Hilary Ramsden then completed the more formal presentation part of the day with a talk on the radical phenomenon that was CIRCA (Clandestine Insurgent Rebel Clown Army) from its inception to its demise! After the morning break Hilary facilitated a 90-minute workshop that drew on the 2-day Basic Rebel Clown Training that CIRCA used to offer on its UK tour to different cities before arriving at the 2005 G8 Summit in Gleneagles. The focus of the workshop was to explore some of the games and exercises we’d worked with at that time and to see how it felt 20 years on – what still worked (of course, some of the exercises are regularly used by many kinds of facilitators, not just clowns, rebel clowns or activists and not only performers), why and why not.
Bim facilitated an after-lunch workshop ‘Contemporary Ideas & Actions’: Big Head Mask Workshop where Bim outlined his approach to creating mask actions for the G7, COP26 and other events. Congress participants were invited to put on the Big Heads, and to explore the possibilities for embodying power and trying out iconic gestures and attitudes that might accompany these masks of a number of UK politicians. As an audience we looked at and discussed their impact in terms of power relationships and audience response. The last session of the day was framed with a number of questions (listed below) that were intended to invite participants to create some practical work around the themes of the day. Practical session: What kinds of actions might we work on? What new ways can clowns invent for usurping authority? Drawing on ideas from the previous sessions we formed small groups around a variety of topics to discuss and create some ideas for future actions. We then gathered for a show and tell after 40 minutes….which in fact was more of a tell rather than show. Comments are closed.
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AuthorCreative research into the meeting point of clowning and activism Archives
August 2024
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ABOUT ROBYN
Robyn is a Bristol-based director, teacher and performer. With over 20 years experience she is a passionate practitioner of clowning, physical theatre, circus and street arts. She has a MA in Circus Directing, a Diploma of Physical Theatre Practice and trained with a long line of inspiring teachers including Holly Stoppit, Peta Lily, Giovanni Fusetti, Bim Mason, Jon Davison, Zuma Puma, Lucy Hopkins and John Wright.
Over the past five years she has been exploring the meeting point of clowning and a deep desire to address the injustices in the world. This specialism has developed through her Masters Research ‘Small Circus Acts of Resistance’, on the streets and in protests with the Bristol Rebel Clowns and in research residencies with The Trickster Laboratory. Robyn’s Activist Clown research has led to collaborations with Jay Jordan (Laboratory of Insurrectionary Imagination, France), Clown Me In (Beirut), LM Bogad (US), Hilary Ramsden (Greece) and international Tricksters; ‘The Yes Men’ (US). During the pandemic in 2020, Robyn set up The Online Clown Academy with Holly Stoppit and developed a series of Zoom Clown Courses. Robyn’s research, started during her Masters, has been exploring the meeting point of clowning and activism, online, in the real world and with international collaborators. With this drive to explore political edges of her work she has also dived back into the world of the Bouffon; training with Jaime Mears, Bim Mason, Nathaniel Justiniano, Eric Davis, Tim Licata, Al Seed and the grand master Bouffon-himself; Philippe Gaulier. Keen to explore the intersection of clowning and politics, Robyn is driven to create collaborative, research spaces, testing and pushing the limits of the artform to create new knowledge and methodologies for her industry and strengthen partnerships for future work. Some of her most recent collaborations and teaching projects have included the Nomadic Rebel Clown Academy (5-day Activist Clown Training), The Laboratory of the Un-beautiful (Feminist Grotesque Bouffon Training for Womxn Theatre Makers) and the Clown Congress (annual gathering of clowns, activists & academics collectively exploring what it means to be a clown in this current era) |