Thursday was our final day. Our numbers were smaller but we were the stalwarts who'd been part of some or all of the previous days. The day started with a swing dance warm up thanks to Oliver Broadbent. It was a delightful, silly way to begin the last day of an intense week.
We had programmed two open space sessions so began the task of asking what we wanted to explore further. The stipulations were that they had to have come from what had bubbled up during the week. In the first open space we had two sessions. One group researched the Butoh Clown pieces some more, playing with different options such as nose, no nose, eye contact, all clowns, no clowns etc. Meanwhile another group discussed and then played with ideas of White Fragility.
In the afternoon Open Space Sesssion there were three breakouts. One group explored the Climate Crisis as the Trickster though a trickster story and reinactment. One group talked about Irony - continuing conversations from Franki's changing stories workshop. And another group rounded up the Clown Congress with an improvised song and performance.
We rounded up the day with some dancing and a closing circle led by Franki. It was beautiful and connecting end to a truly rich week.
Robyn is a Bristol-based director, teacher and performer. With over 20 years experience she is a passionate practitioner of clowning, physical theatre, circus and street arts. She has a MA in Circus Directing, a Diploma of Physical Theatre Practice and trained with a long line of inspiring teachers including Holly Stoppit, Peta Lily, Giovanni Fusetti, Jon Davison, Zuma Puma and Deanna Fleysha.
Robyn has collaborated with companies including Let’s Circus, The Sexual Health Circus and Whispering Wood Folk and performed with acclaimed physical theatre companies including, Derevo, Akhe, Oceanallover, and Gappad as well as her own award-winning company, Fun in the Oven Theatre.
During the pandemic in 2020, Robyn set up The Online Clown Academy with Holly Stoppit and developed a series of Zoom Clown Courses. Robyn’s research, started during her Masters, has been exploring the meeting point of clowning and activism, online, in the real world and with international collaborators. With this drive to explore political edges of her work she has also dived back into the world of the Bouffon; training with Jaime Mears, Bim Mason, Nathaniel Justiniano, Eric Davis, Tim Licata, Al Seed and the grand master Bouffon-himself; Philippe Gaulier. She has also set up the Laboratory of the Un-beautiful; a collaboration with Deborah Antoinette Bard, exploring the bouffon & grotesque with womxn theatre makers.