ROBYN HAMBROOK
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  • Home
  • COURSES
    • Comedy Summer School
    • Clown Soup
  • PROJECTS
    • Clown Congress
    • Clown Congress Catering Manager
    • Nomadic Rebel Clown Academy
    • Sealine Confidential
    • The Trickster Laboratory
    • Sexual Health Circus
    • Street Art Porfolio
    • Rebel Clowns
    • Canary
    • Arthur's Odyssey
    • The Vampire Rabbit
    • Interactive Theatre
    • Youth & Social Circus
    • The Online Clown Academy
  • Training
  • Clowning & Activism Blog
    • Tools of the Activist Clown
ROBYN HAMBROOK

how was the congress...

7/11/2023

 
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Thanks to prompts from Holly Stoppit here are some of the brainstorming and reflections about the Clown Congress from participants

WHAT NEXT FOR CLOWNING IDENTITY?

  • More research exploration activities
  • Conversation on how language offers identity
  • Divergence & how clown offers space for queering
  • Field explorations – going into the streets to explore identities
  • How broad or narrow is ‘clown’
  • How clown, fool, jester, trickster are linked
  • Exploring how identity effects attraction and how that affects people’s perception of those clowns
  • Navigating self-doubt/uncertainty
  • Process orientation and learning whilst doing
  • What does it mean to be a clown?
  • Queer/gender discussions, research & performance
  • Age & class explorations
  • Cultural identity & rituals and how they connect with clown
  • Archive/ access to videos, reference materials
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WHAT IS THE FUTURE OF THE CLOWN CONGRESS?

  • Who gets to go to the ball? (Cinderella)
  • Is laughter the goal or a tool?
  • Does clown always have to be entertaining?
  • Why do you clown?
  • Full Open Space? Who gets to curate?
  • Other parts of the country
  • Something in Nature
  • Clown Congress out on actions or direct action camps (within activist settings)
  • Work in progress clowns – clown project formation forum (development of ideas)
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WHAT THEMES WOULD YOU LIKE TO SEE EXPLORED NEXT AT THE CLOWN CONGRESS?

  • Climate futures
  • Clown applications
  • Biodiversity loss
  • Clown/fool connections
  • Identity & the politics of identity – building on what started already in this congress - & expand it or go deeper into it
  • Explorations by/with people from further away (funded!)
  • Co-creation & clowning
  • Clown & NVC
  • Sustainability in clowning – clown teaching , clown doctoring, clown activism, clown resources
  • Work in progress laboratories – where clowning is in someone’s practice or how they would like to integrate clown into their practice
  • Why do we clown?
  • Gender
  • More embodiment practices applied to clowning
  • Grief, Joy, Death, Seasons, Rhythms of Life
  • Clowns & political activism
  • Cross-cultural / international clown ...world clowning
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WHAT WAS GREAT ABOUT THE CLOWN CONGRESS 2023?

  • Connections, holding space, comfort, openess
  • Facilitators
  • Clown talks
  • Listening to people’s needs
  • Freedom to be rowdy
  • Cake
  • Yummy Food
  • Venue size, space, options, heat suited me
  • Focus on self-care
  • Everything is an invitation
  • How the holders held
  • Age range of clowns
  • Accepting and welcoming vibe
  • Variety of workshops and opportunities an modes of doing
  • The theme; acknowledging ableism which often doesn’t get much attention
  • All the weird talk
  • The Openness
  • The Price
  • More new people came
  • Hybrid online/in person session
  • Holly’s facilitation and holding
  • Invitations being genuinely options
  • The peer support and acceptance
  • Dramaturgy & craft – “fast clowning”
  • Mixing & networking with others and hearing about other people’s research and projects
  • People – the mix of experiences and intersections
  • The differences and the overlaps between the contributors
  • Reflection
  • Access focusses & explorations
  • Kindness
  • Needs-based awarenesses, curiosity and communication
  • How much play there was in the open spaces
  • Being in solidarity
  • Community & Compassion – acceptance and needs consideration & disability, access awareness, mental health & togetherness in grief and uncertainty
  • Connections – so many cool folks
  • Consensus building
  • Everything is research
  • Such a rich soup of experience, expertise and heartfelt passion and care.
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ABOUT ROBYN

Robyn is a Bristol-based director, teacher and performer. With over 20 years experience she is a passionate practitioner of clowning, physical theatre, circus and street arts. She has a MA in Circus Directing, a Diploma of Physical Theatre Practice and trained with a long line of inspiring teachers including Holly Stoppit, Peta Lily, Giovanni Fusetti, Bim Mason, Jon Davison, Zuma Puma, Lucy Hopkins and John Wright.
Over the past five years she has been exploring the meeting point of clowning and a deep desire to address the injustices in the world. This specialism has developed through her Masters Research ‘Small Circus Acts of Resistance’, on the streets and in protests with the Bristol Rebel Clowns and in research residencies with The Trickster Laboratory.
Robyn’s Activist Clown research has led to collaborations with Jay Jordan (Laboratory of Insurrectionary Imagination, France), Clown Me In (Beirut), LM Bogad (US), Hilary Ramsden (Greece) and international Tricksters; ‘The Yes Men’ (US).
During the pandemic in 2020, Robyn set up The Online Clown Academy with Holly Stoppit and developed a series of Zoom Clown Courses. Robyn’s research, started during her Masters, has been exploring the meeting point of clowning and activism, online, in the real world and with international collaborators. With this drive to explore political edges of her work she has also dived back into the world of the Bouffon; training with Jaime Mears, Bim Mason, Nathaniel Justiniano, Eric Davis, Tim Licata, Al Seed and the grand master Bouffon-himself; Philippe Gaulier.
Keen to explore the intersection of clowning and politics, Robyn is driven to create collaborative, research spaces, testing and pushing the limits of the artform to create new knowledge and methodologies for her industry and strengthen partnerships for future work. Some of her most recent collaborations and teaching projects have included the Nomadic Rebel Clown Academy (5-day Activist Clown Training), The Laboratory of the Un-beautiful (Feminist Grotesque Bouffon Training for Womxn Theatre Makers) and the Clown Congress (annual gathering of clowns, activists & academics collectively exploring what it means to be a clown in this current era)
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Photo by HeardinLondon Photography