The Clown Congress 2023 brought together 55 clowns, academics, performers, artists, theatre makers teachers, therapists, activists and hobbyists from across the UK and Europe to interrogate our practice and explore what it means to clown in these times. This year's congress will focus on the themes of Identity and Clowning. We wanted to understand how our differences and who we are impact the way we clown as well as exploring and celebrating diversity, inclusion, disability, race, neuro-divergence in and through clowning. Over three days we came together in the Bristol University Theatre department at The Wickham Theatre in Bristol. We embedded ourselves in the large black box theatre, making use of the large space for massive circles, games, embodied exercises and explorations. We spread out across the building into smaller rooms for open space sessions, in the lounge areas for breaks and lunch and outside onto the steps to get some sun and light during the breaks. They were long and beautifully intense days; from 10 – 6pm. Each day had two 75 minute workshops with invited contributors, one open space session and one reflective workshop with Holly Stoppit. The organising committee were Robyn Hambrook, Jon Davison, Jan Wozniak, Aerial Mel Stevens and Holly Stoppit. An online programme curated by Jon Davison ran simultaneously and included interviews, discussions and workshops by international practitioners tackling the same themes. Around 275 people across the world engaged with that programme. This year’s Clown Congress was only the second of its kind. The idea behind the Congress had come from a collaboration between myself, Jon Davison and Hilary Ramsden in 2022. We had connected on Zoom during the Pandemic as we begun to research and interrogate ways of working and performing with clown both in the studio and on the street as we sought to create new forms and processes that address political, societal and environmental issues. We received funding to carry out research in Athens and had wanted to extend our questions, experiments and discussions to the wider clown community. You can read about each day of the 2023 Clown Congress here: Day One by Holly Stoppit Day Two by Jan Wozniak Day Three by Robyn Hambrook Plus How was the Congress... reflections from participants And The Clown Congress in Prose by Beccy Golding Comments are closed.
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AuthorCreative research into the meeting point of clowning and activism Archives
August 2024
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ABOUT ROBYN
Robyn is a Bristol-based director, teacher and performer. With over 20 years experience she is a passionate practitioner of clowning, physical theatre, circus and street arts. She has a MA in Circus Directing, a Diploma of Physical Theatre Practice and trained with a long line of inspiring teachers including Holly Stoppit, Peta Lily, Giovanni Fusetti, Bim Mason, Jon Davison, Zuma Puma, Lucy Hopkins and John Wright.
Over the past five years she has been exploring the meeting point of clowning and a deep desire to address the injustices in the world. This specialism has developed through her Masters Research ‘Small Circus Acts of Resistance’, on the streets and in protests with the Bristol Rebel Clowns and in research residencies with The Trickster Laboratory. Robyn’s Activist Clown research has led to collaborations with Jay Jordan (Laboratory of Insurrectionary Imagination, France), Clown Me In (Beirut), LM Bogad (US), Hilary Ramsden (Greece) and international Tricksters; ‘The Yes Men’ (US). During the pandemic in 2020, Robyn set up The Online Clown Academy with Holly Stoppit and developed a series of Zoom Clown Courses. Robyn’s research, started during her Masters, has been exploring the meeting point of clowning and activism, online, in the real world and with international collaborators. With this drive to explore political edges of her work she has also dived back into the world of the Bouffon; training with Jaime Mears, Bim Mason, Nathaniel Justiniano, Eric Davis, Tim Licata, Al Seed and the grand master Bouffon-himself; Philippe Gaulier. Keen to explore the intersection of clowning and politics, Robyn is driven to create collaborative, research spaces, testing and pushing the limits of the artform to create new knowledge and methodologies for her industry and strengthen partnerships for future work. Some of her most recent collaborations and teaching projects have included the Nomadic Rebel Clown Academy (5-day Activist Clown Training), The Laboratory of the Un-beautiful (Feminist Grotesque Bouffon Training for Womxn Theatre Makers) and the Clown Congress (annual gathering of clowns, activists & academics collectively exploring what it means to be a clown in this current era) |